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Flogup by akermariano | View Profile | Add to Favourites | Add to Friends | Search Flogup | Status: akermariano offline
 
Recent photos by akermariano:

Mariano Akerman: Activar el espacio
23/11/2008

Mariano Akerman, Pareja, 1986
22/11/2008

Mariano Akerman: La bella y la bestia
21/11/2008

Monique Sasegur: “Mariano Akerman”
18/11/2008

Mariano Akerman, Cristalino, 1985-1986
17/11/2008

Mariano Akerman: Flor con ritmo, 1981
16/11/2008

Mariano Akerman: Velada rococó, 1979
15/11/2008

Akerman, Nada de bésame mucho, 1979
14/11/2008



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Esto y aquello

Esto y aquello
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30/04/2008  

 
Joris Hoefnagel (Amberes,1542 – Viena 1601), Guía para la construcción de las letras “f” y “g”, Mira calligraphiæ monumenta, manuscrito de caligrafía con abecedario decorado, c. 1591, fol. 143v. Acuarela, témpera, tinta china y dorado a la hoja sobre pergamino y papel. J. Paul Getty Museum, Los Angeles, California, Estados Unidos - © The J. Paul Getty Trust. All rights reserved. 


Comments on this Flogup (4/25):
 
  Unregistered user Info_Getty @ 30/04/2008 at 06:06 wrote:
Self-taught artist Joris Hoefnagel was a pivotal figure in the history of art from the Netherlands, both as the last important Flemish manuscript illuminator and one of the first artists to work in the new genre of still life. A true Renaissance man, Hoefnagel wrote Latin poetry, mastered several languages, played a variety of musical instruments, and sold drawings, in addition to making topographical drawings, maps, oil paintings, and illuminations.
Born to wealthy merchant parents, Hoefnagel traveled to England, France, and Spain in his youth, recording his experiences in topographical drawings. These were later used as models for a six-volume atlas. In the autumn of 1577, after Spanish troops had invaded Antwerp, Hoefnagel journeyed south with cartographer Abraham Ortelius. During this trip, Albert V, duke of Bavaria, hired Hoefnagel as a court artist. It was at this time that Hoefnagel completed his first major work, a multi-volume book of natural history miniatures. In 1591, Hoefnagel was appointed court artist to Holy Roman Emperor Rudolf II, a collector known not just for his art but for his Kunstkammer, or cabinet of curiosities. For Rudolf, Hoefnagel again demonstrated his astounding technical facility when he added illuminations to a manuscript completed thirty years earlier by the celebrated scribe Georg Bocskay, now in the Getty Museum's collection.
http://www.getty.edu/art/gettyguide/artMakerDetails?ma ker=992&page=3

  Unregistered user Imagen @ 30/04/2008 at 06:27 wrote:
"Faces of the Grotesque," Giornale Nuovo: An Accumulation of Inconsequential Notices, 10 June 2006, http://www.spamula.net/blog/2006/06/faces_of_the_grote sque_1.html Mr. H., fig. 4

  Unregistered user 1 @ 11/05/2008 at 13:25 wrote:
Soldra. Me gusta muchísimo esta mezcla.

  Unregistered user 2 @ 11/05/2008 at 13:26 wrote:
yvy. Esto y aquello... aquí y allá. Preciosa musicalización. Un abrazo Mariano.


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